The journey from wanting to sing well to actually having fun singing in any style of music is one of self discovery. Self-awareness then replaces self-consciousness, the big obstacle for many singers. The good news is that we are born to sing - babies "la-la" musically long before they utter mama. We are all physical melodic instruments.
Anyone can learn the mechanics of singing, while your individual natures - imagination, physiology, desire - combine with mechanics to take you to your comfort level as a performer. Artistic singing is the product of the power of your imagination and oil-smooth coordination, not physical force.
Anyone can learn the mechanics of singing, while your individual natures - imagination, physiology, desire - combine with mechanics to take you to your comfort level as a performer. Artistic singing is the product of the power of your imagination and oil-smooth coordination, not physical force.
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If you'd like to play an instrument, you find one already built and stressed to withstand its various functions and you study how to play it. When you pick up a clarinet you can see it, feel it, learn to play it, but what does your voice look like, feel like? The study of singing becomes a journey of self-discovery as we gain awareness of what we see and feel like as melodic instruments.
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Franco Spoto is a multi-talented artist who has a superb tenor quality. There is no getting away from it, he charmed the audience with his spectacular style and manner. Spoto is a fine leading man with a big, full-dimensioned tenor that carries the lovely Romberg melodies to their full potential. Spoto was equally impressive as Alfredo, giving a totally involved performance both vocally and dramatically.
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